Teaching
My teaching asks students to become active participants in their own learning: drawing conclusions, posing questions, testing ideas, and connecting theory to theatrical practice. I approach the classroom as a space for inquiry in which students develop the skills to analyze how artistic choices create meaning while considering the histories, communities, and audiences with which those choices engage.
Across courses in dramaturgy, theatre history, performance studies, and arts management, I use applied projects to give students opportunities to put ideas into practice. Whether developing a dramaturgical casebook, pitching a historical play for contemporary production, or analyzing the institutional structures that support artistic work, students are asked not simply to acquire information but to determine what that information allows them to understand, question, and create.
Courses Taught
-
Dramaturgy
Directed Research in the Arts
Financial Management in the Arts
Grant Writing for Non-Profits
Governance and Leadership
Masters Portfolio Seminar
Seminar in Arts Management
-
Art, Performance, and Politics
Broadway Mashup: Remixing America Through Musical Theatre
Dramaturgy
Grant Writing for Non-Profits
Intersections: Theatre and Disability
Introduction to Arts Administration
Introduction to Theatre
Introduction to Theatre and Performance Studies
Reflections of American Society on Stage
Staging Disability
The Art of Communication and Presentation
Text and Context
Theatre History I
Theatre History II
Thriving in the Business of Art
-
Meet Me in the Multiverse: New Media and Performance
Shakespeare and Performance
Introduction to Theatre and Performance Studies
Student Evaluations